I know the look well. It is a heartbreaking composite of hurt, astonishment, and disappointment. There's no way to count the number of times I've seen the look, but I can say with some amount of confidence that I paid no attention to it until I was about 16. Up until that point, I didn't care enough to notice.
See, the look is fleeting, though it comes in two stages. In the first stage, it springs out unexpectedly - lifting eyebrows, widening the eyes slightly, and leaving the mouth slightly agape. In the second stage, everything tightens. The mouth seals itself into a grim line and the outside corners of the eyebrows lift at a slight angle as the eyes narrow. If you are not paying attention you will miss it, because depending on the person, it can happen in milliseconds. You have to become attuned to its presence. It was a long time before I realized its cause.
See, the look appears on a friend's face when I am a jerk. I don't mean a jerk who is kind of sarcastic or makes fun of someone. I mean a jerk who says something with malicious intent, who uses all the intimate knowledge he has gathered about someone to cause quick and devastating pain. You may have a hard time believing it, but I am one of the most skilled at doing this that I know.
See, beyond the oft discussed phenomenon that nice guys seem to finish last when it comes to young ladies' attentions and affections, there is another disturbing paradox. When you are seen as nice guy, nobody believes it when you tell them that your heart is full of all manner of darkness and venom. I know this is true, because as long as I can remember people have called me a nice guy.
The crux of this paradox is that being hurt by a nice guy hurts all the more because one has not put protections in place. One might wonder what he has done wrong, because how else can he explain what just came out of such a nice guy's mouth? Another might wonder could be wrong with her, to have let herself be so vulnerable with a guy just because he was "nice". All of these emotions are contained in that split-second of a look. Amazing, isn't it?
I'm not saying I'm a bad guy. But, if you haven't seen this other side of me, you will. It's only a matter of time. Sadly, there are lots of folks who can testify.
I saw the look recently. As soon as the words were coming out of my mouth, I knew the result. And in that moment, I was once again surprised by the forcefulness of the internal resistance to my immediate understanding that what I had said and done was wrong. Too often, the resistance wins. I did not apologize.
But sitting here typing at 3:00 a.m., that look haunts me. It unlocks the door to a host of memories in which I don't remember the words spoken, but I vividly feel the assault I have made on someone for whom I care. It's one of the worst feelings in the world.
One time in college, I was talking to a romantic interest on the telephone, and she was telling me how she did not understand this guy she had dated before who had said things to deliberately hurt her. When I told her I had done the same, she was quiet for a long time before she breathed, "But, why would you do that to someone you love?" I could only answer with a silence that whispered, "I don't know".
Every time I remember the look, it asks the same question. I still have no answer.
Wednesday, June 2, 2010
Friday, May 14, 2010
Desert Time
Brilliant, blistering sun
beating down on head
exposed to the brutal blanket
of heat burning the brand,
the mark of wanderers on the back of
your neck, behind your ears.
Lips cracked, cheeks chapped,
calloused lids worn thin by
dust flying on the arid winds
blowing through barren dunes adrift
on a sea of emptiness.
This is the desert.
And when gritty eyes open,
they see differently, clearly,
like they were born again
for softer vision.
Rough edges are worn down,
your heart tuned to the rhythm of hope
working its way around the mountainside.
You know now, like love,
sowing hope is hard work;
but the harvest is peace,
an oasis on the sandy steppes
where you find rest for your
weary, wonder-full soul.
This is the desert.
beating down on head
exposed to the brutal blanket
of heat burning the brand,
the mark of wanderers on the back of
your neck, behind your ears.
Lips cracked, cheeks chapped,
calloused lids worn thin by
dust flying on the arid winds
blowing through barren dunes adrift
on a sea of emptiness.
This is the desert.
And when gritty eyes open,
they see differently, clearly,
like they were born again
for softer vision.
Rough edges are worn down,
your heart tuned to the rhythm of hope
working its way around the mountainside.
You know now, like love,
sowing hope is hard work;
but the harvest is peace,
an oasis on the sandy steppes
where you find rest for your
weary, wonder-full soul.
This is the desert.
Monday, April 26, 2010
Wild Beauty
I want to write something beautiful about you,
to remember you were beautiful to me once,
in the days when our eyes could not
slake their thirst for
the other.
We were lovers in the most elemental of ways,
carved from the embrace of crimson
clay bed and balmy breeze
beneath the blazing
sun's heat.
But I will always remember the night you
leaned into my lips and sighed, "Qué
delicioso y tan peligroso,
mi amor," before you
wept.
To this day I don't know if your leaving was
blaming or saving you, but I believe in
fate too. It goes down smoother
than rejection and/or
self-protection.
Surely fate is the only way to tame your wild beauty,
confine it to a frame of reference that gives
deference to the capricious graces
of love, lest it escape into
heartache.
to remember you were beautiful to me once,
in the days when our eyes could not
slake their thirst for
the other.
We were lovers in the most elemental of ways,
carved from the embrace of crimson
clay bed and balmy breeze
beneath the blazing
sun's heat.
But I will always remember the night you
leaned into my lips and sighed, "Qué
delicioso y tan peligroso,
mi amor," before you
wept.
To this day I don't know if your leaving was
blaming or saving you, but I believe in
fate too. It goes down smoother
than rejection and/or
self-protection.
Surely fate is the only way to tame your wild beauty,
confine it to a frame of reference that gives
deference to the capricious graces
of love, lest it escape into
heartache.
Thursday, April 15, 2010
Earthquake in Yushu
Below is an email I've sent to some friends to update them on the situation in Yushu, some borrowed from another friend's blog. Please feel free to contact me if you have any questions or concerns.
Hello friends,
I have heard from some of you who were concerned for my safety, so I wanted to send out a short note saying that I am ok. I live in the same province, but Xining is about 800 km north of the earthquake zone in Yushu, which is where I attended the Horse Festival in 2006. It's been a tense couple of days, with people waiting to hear word from family and friends who live in the area. All of my friends are ok, but most have lost friends and relatives.
Many who live in the region have lost everything, as 85% of the houses and buildings collapsed. Yushu is at 12,500 ft. elevation, with temperatures hovering around freezing. Since the earthquake hit early in the morning, many people are stranded outside without warm clothing or blankets. Tents, blankets, and medical supplies should make their way to the area in the next 24 hours. I think the latest news reports I've read put the death toll at around 600 with 10,000 injured, but the word I'm getting from folks down there is that the death toll is well over 1,000, including a four-storey schoolhouse that has yet to be excavated.
As it stands, the government seems to be responding quickly with rescue efforts, but damage to infrastructure is hindering their progress. The Yushu government issued a call for all trained medical personnel to come as quickly as possible, but there has been bureaucratic resistance in Xining to allowing foreigners on student visas to respond to this call. A large number of these medically trained expats are on student visas, so this resistance could have devastating effects. *Update - immediately after writing the last sentence, I heard from my friend, who is a nurse and student, and she was able to get permission to go. Hopefully more will have success tomorrow.
There is an organization here doing fantastic work on the Tibetan plateau called Plateau Perspectives . "P.P." is a non-profit team of scientists and medical personnel working with Tibetans in southern Qinghai on development initiatives (agricultural, educational, etc.) and environmental conservation. P.P. is (as of today) the ONLY non-profit organization that has been directly asked by the government to participate in the relief effort. There is a group that is heading out today from P.P. to start the advance work.
Last night, a friend created a website for P.P. to give daily updates on the earthquake. It is also set up to allow PayPal donations, if you want to give financially to the relief efforts. Will you take a moment and click on the following link that says "Yushu Earthquake Relief"?
Thank you for your concern, friends. Please keep the people of Yushu in your thoughts and prayers,
Ramón
Thursday, April 8, 2010
Politics and Poetry
It is National Poetry Month, and the torrent of poetry that I was hoping to unleash on my unsuspecting readers has not materialized. It's been two years since my poetry took a great leap forward through regular deadlines for production, but I'm finding it hard to set that time aside this year. Perhaps studying Chinese is enough for now; it can certainly be poetic at times (i.e., the idea of jealousy can be expressed by saying "eating bitterness").
In lieu of being a productive writer, I have been trying to keep up with international news. The U.S. government has been undertaking enough provocative political maneuvering to raise China's hackles and eyebrows, that I find it necessary to stay abreast of global happenings in case visa troubles are on the way. In so doing, I came across two recent stories dealing with political resistance and the role of violence. The first is from the familiar Israel/Palestine conflict, but it reveals another side to the story that we don't often get to hear. The second is about the recent violence-tinged overthrow of the government in Kyrgyzstan (highlighted in U.S. news sources due to uncertainty surrounding a US Air Force base used for operations in Afghanistan). This is the same government which came to power as a result of the peaceful Tulip Revolution in 2005, but has failed to deliver on promises to turn away from autocracy.
What does it take to live in peace? What does it take for an enemy to become a neighbor, or even more astonishingly, a friend? These questions have deep political, sociological, philosophical, and even theological underpinnings. But, I will let poet Khalil Gibran's parable "Peace and War" from his collection The Wanderer speak to that issue as only Gibran can:
Three dogs were basking in the sun and conversing. The first dog said dreamily, "It is indeed wondrous to be living in this day of dogdom. Consider the ease with which we travel under the sea, upon the earth and even in the sky. And meditate for a moment upon the inventions brought forth for the comfort of dogs, even for our eyes and ears and noses."
And the second dog spoke and he said, "We are more heedful of the arts. We bark at the moon more rhythmically than did our forefathers. And when we gaze at ourselves in the water we see that our features are clearer than the features of yesterday."
Then the third dog spoke and said, "But what interests me most and beguiles my mind is the tranquil understanding existing between dogdoms."
At that very moment they looked, and lo, the dog-catcher was approaching.
The three dogs sprang up and scampered down the street; and as they ran the third dog said, "For God's sake, run for your lives. Civilization is after us."
In lieu of being a productive writer, I have been trying to keep up with international news. The U.S. government has been undertaking enough provocative political maneuvering to raise China's hackles and eyebrows, that I find it necessary to stay abreast of global happenings in case visa troubles are on the way. In so doing, I came across two recent stories dealing with political resistance and the role of violence. The first is from the familiar Israel/Palestine conflict, but it reveals another side to the story that we don't often get to hear. The second is about the recent violence-tinged overthrow of the government in Kyrgyzstan (highlighted in U.S. news sources due to uncertainty surrounding a US Air Force base used for operations in Afghanistan). This is the same government which came to power as a result of the peaceful Tulip Revolution in 2005, but has failed to deliver on promises to turn away from autocracy.
What does it take to live in peace? What does it take for an enemy to become a neighbor, or even more astonishingly, a friend? These questions have deep political, sociological, philosophical, and even theological underpinnings. But, I will let poet Khalil Gibran's parable "Peace and War" from his collection The Wanderer speak to that issue as only Gibran can:
Three dogs were basking in the sun and conversing. The first dog said dreamily, "It is indeed wondrous to be living in this day of dogdom. Consider the ease with which we travel under the sea, upon the earth and even in the sky. And meditate for a moment upon the inventions brought forth for the comfort of dogs, even for our eyes and ears and noses."
And the second dog spoke and he said, "We are more heedful of the arts. We bark at the moon more rhythmically than did our forefathers. And when we gaze at ourselves in the water we see that our features are clearer than the features of yesterday."
Then the third dog spoke and said, "But what interests me most and beguiles my mind is the tranquil understanding existing between dogdoms."
At that very moment they looked, and lo, the dog-catcher was approaching.
The three dogs sprang up and scampered down the street; and as they ran the third dog said, "For God's sake, run for your lives. Civilization is after us."
Labels:
China,
Israel,
Kahlil Gibran,
Kyrgyzstan,
National Poetry Month,
Palestine,
poetry
Sunday, February 21, 2010
A moment of clarity
Walking to dinner a few days ago, I glanced to the north. On the days when the haze of coal smoke is light and the winds are not clogged with dust, a blanket of soft clarity falls upon the mountains at sunset. Every detail stands in sharp relief as shadows crawl sleepily across weathered peaks peering intently into the coming night.
Why do things usually become clear just before darkness falls?
Why do things usually become clear just before darkness falls?
Saturday, February 6, 2010
Feeling nostalgic...
I've been feeling nostalgic all week, so I was going through the archives of my blogs that have been lain to rest. I found this poem from five years ago and surprisingly, I don't hate it yet. Since most of you did not know me (much less know I had a blog) then, I figured it wasn't too much of a faux pas to post it again.
Portlanders, this mountain is none other than our beloved Mt. Hood.
Without further ado:
In the Shadow of a Mountain
The mountain on the horizon has brought us here
to sit on the sun-drenched curb
in the short time remaining us
Brown bottles filled with good spirits
and the echo of comfortable laughter
I've always had a weakness for girls who like beer
The heat of summer's fall burns the smell
of asphalt onto our lips and tongues
leaving parking spaces hazy and indistinct
newly painted lines undulating dreamily
in the mirage of farewell
But, goodbyes are never for good with us
and the lines around our love rarely keep their places
between sister and brother, friend and lover
or the silence that's born in feeling too much
As clumsy words tumble reluctantly
into the space between our long-eyed gazes
to identify the intimacy
Unfolding in this surprising scene
we're setting the horizon free
In the shadow of snow-capped majesty
© 2005 E. Ramón Chaparro
Portlanders, this mountain is none other than our beloved Mt. Hood.
Without further ado:
In the Shadow of a Mountain
The mountain on the horizon has brought us here
to sit on the sun-drenched curb
in the short time remaining us
Brown bottles filled with good spirits
and the echo of comfortable laughter
I've always had a weakness for girls who like beer
The heat of summer's fall burns the smell
of asphalt onto our lips and tongues
leaving parking spaces hazy and indistinct
newly painted lines undulating dreamily
in the mirage of farewell
But, goodbyes are never for good with us
and the lines around our love rarely keep their places
between sister and brother, friend and lover
or the silence that's born in feeling too much
As clumsy words tumble reluctantly
into the space between our long-eyed gazes
to identify the intimacy
Unfolding in this surprising scene
we're setting the horizon free
In the shadow of snow-capped majesty
© 2005 E. Ramón Chaparro
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